Tres de cada 4 empleados se llevan mal con sus jefes

Tres de cada 4 empleados se llevan mal con sus jefes
Según una encuesta, la mayoría quisiera insultarlos o renunciar. Las quejas son porque no valoran su trabajo ni apoyan su desarrollo. Para los especialistas, es la causa principal del mal clima laboral.

Lil Wayne & Elvis: Rapper Passes Icon's Billboard Record

Lil Wayne & Elvis: Rapper Passes Icon's Billboard Record:

'via Blog this'

NEW YORK — Lil Wayne is not only making rap history, he's making rock `n roll history: the rapper has surpassed Elvis Presley as the male with the most entries on Billboard's Hot 100 chart.

Lil Wayne now has 109 songs on that chart with Thursday's debut of Game's song "Celebration," where he is a guest alongside Chris Brown, Tyga and Wiz Khalifa. Of his 109 charted songs, only 42 are led by Lil Wayne; 67 are songs where he is the featured act.

Thursday is the rapper's 30th birthday.

Presley totaled 108 songs on the Hot 100 since it launched in 1958. Presley's career kicked off before that and several of his songs – like "Heartbreak Hotel" – could not be included in his total number.

The "Glee" cast has the most Hot 100 entries with 204.

Chris Broderick - Caprice No.7 Op 20, Luigi Legnani

This is Culture!!

Metallica Skull Crest T-Shirt

This Metallica T-shirt features awesome art inspired by their catalog of album releases.
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Chopin Scherzo #1 by Andrew Li (11)

Amazing!!! Can anybody tell Who is he?

Somewhere in Time (Collector's Edition)

It's silly, it's superficial, it's so desperately earnest about its tale of time-spanning love that you almost wish for a cheap flatulence gag just to break the solemn mood. But there's something so unabashedly gushy and entertaining about Somewhere in Time that you can't begrudge its enduring popularity. The film has become a staple of romantic-movie lovers since its release in 1980, and endless showings on cable TV have turned it into a dubious classic of sorts--a three-hanky weeper that anyone can enjoy as a guilty pleasure or a beloved favorite, with no apologies necessary.
In his first film after the star-making success of Superman, Christopher Reeve stars as a contemporary playwright who visits a posh hotel and sees the portrait of an actress (Jane Seymour) who had performed there in 1912. He becomes obsessed with this beautiful woman and learns all he can about her, and then discovers a method of hypnotically transporting himself backward in time to meet her. "Is it ... you?" she says upon seeing the lovestruck playwright, and it's clearly a mutual attraction. But even the slightest reminder of the playwright's modern time can jar him from his seemingly real existence in the past, so his wonderful love affair is constantly just a step from being stolen away.
Based on Richard Matheson's novel Bid Time Return, this flaky film may strain one's tolerance for plot holes and corny romance, but it's hard to deny its lasting appeal--and let's face it, guys, it'll make wives and girlfriends swoon if they're in a tearjerker mood. --Jeff Shannon
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Last Night

After three albums that seemed to find Moby in some sort of creative stasis, Last Night sees the once-restless DJ/producer changing the record and returning to one of his first loves: the heaving dancefloors of his native New York. Soulful, uplifting piano rave is the order of the day here, and while some hallmarks of Play remain--Moby still has a fascination for long, tearful synth lines and sampled vocals, which he drops in here and there, seemingly to yield the maximum emotional response--Last Night still feels like a clean slate. "I Like to Move in Here" shimmies along on a languid house beat that doffs a cap to early hip-hop in the shape of a cameo from MC Grandmaster Caz, one of the writers of "Rapper's Delight", while "Everyday It's 1989" is the sort of overdriven, ecstatic piano house that Moby perfected on his 1995 classic Everything Is Wrong. There's more guest spots in the shape of British MC Aynzli, the Nigerian 419 Squad and Sylvia from dark NYC disco band Kudu, but the most impressive thing about Last Night is the peaks that Moby can reach when he's working alone: see the grand, emotive swell of "Sweet Apocalypse", cold synths and driving beats that, were it released by James Murphy, would be hailed as genius--and rightfully, too.--Louis Pattison
Price: $7.96

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